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Here's What's Left

by Bridget Storm

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  • Record/Vinyl + Digital Album

    Only a handful of those heavy weight, hand numbered first Bridget Storm 7"

    Includes unlimited streaming of Here's What's Left via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 4 days
    edition of 15 

      £6 GBP or more 

     

  • Record/Vinyl + Digital Album

    Grab one of the very, very few gorgeous and hand numbered 7" of 'Terrestrial Living' before they're gone!

    Includes unlimited streaming of Here's What's Left via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 4 days
    edition of 4  2 remaining

      £6 GBP or more 

     

  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of Here's What's Left via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 4 days

      £10 GBP or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £4 GBP  or more

     

1.
Wake 04:39
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2.
Oraine 05:03
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3.
Losing It 03:09
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4.
Stitches 04:02
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5.
Quaalude Interlude 01:44
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6.
Conditioning 04:38
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7.
Terrestrial Living 05:46
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8.
Hush Hush Pills 04:29
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9.
Boy from Towerhill 04:32
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10.
Here's What's Left 04:46
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11.
Felt Something Go 07:48
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about

The debut album release from Bridget Storm 'Here’s What’s Left' was written, arranged, produced, recorded and mostly played by Julie McLarnon. Early limited 7” releases on both Analogue Catalogue and Bad Jazz saw Bridget Storm pick up a dedicated fan in the late John Peel and a publishing deal with Rough Trade.

The album surfaced in 2002 and was greeted with mighty praise from both the press and bands including Smog, Low, Willard Grant Conspiracy and Sparklehorse, all of whom invited Julie to tour with them.


“Sounding like a female-fronted Tindersticks but with a distinctive new-wave flavor (Julie McLarnon, in fact, once served time in riot-girl punk-popsters the Thrush Puppies), Bridget Storm has crafted what on the surface is sometimes called a sleeper of a debut but is in fact compellingly cinematic and memorable on all fronts.”
- 8/10 Magnet, July 2002

“Nylon strung guitar, cello and violin predominate, but there are also examples of the studio trickery that our host learned as a recording engineer with producers Martin Hannett and Chris Nagle. McLarnon's lower vocal range recalls Kate Bush, and on 'Losing It' and the title track, her readiness to probe the dark side of the psyche cements the comparison. In short, this is a challenging, blackly beautiful work.”
- 4/5 Mojo, June 2002

“Here’s What’s Left owes a lot to early Tindersticks, but the album adds a lot more than female vocals to the mix. 'Quaalude Interlude' is a version of 'Heartbreak Hotel' played on xylophone with My Bloody Valentine-type interference. 'Terrestrial Living' could be a glam rocker from the 70s. A serious new talent is emerging on this album. It might not sell millions, but it’s destined to become a late-night favourite for discerning listeners.”
- 4/5 The Irish Times, June 2002

credits

released June 3, 2002

All songs written by Julie McLarnon
Published by Rough Trade Publishing

Vocals, guitars, piano, moog and noises by Julie McLarnon
Violins by Angela Duddy and Cellos by Semay Wu
Bass and backing vocals by Paul Blakesley
Drums by Brian 'Magic' Edwards
Backing vocals on 4 and drums on 11 by Lauren Hyde
Guitar on 2 by John McCready
Additional guitar on 4,6,7 & 11 by Kara Leckenby
10 by Danny Hulme and 11 by Steve Sawyer

Recorded and Mixed by
Julie McLarnon at Analogue Catalogue
except tracks 4, 10 and 11
Mixed by Chris Nagle at Brofees
Mastered by Martin Giles at Alchemy Soho

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Bridget Storm Manchester, UK

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